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LY-002 / Liu Yao

Six throws retain six complete states

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Six throws, with movement kept in every result
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Declare the two face values, record six throws from the bottom upward, and check a supplied Jiji-to-Xian example without losing its two moving positions.

The short version6 min read

The supplied sequence 9, 8, 7, 6, 7, 8 builds Jiji from bottom to top. Reversing positions one and four produces Xian. Keep each throw’s faces and value alongside its original line and moving state so the transformation can be reconstructed.

  • Three coins thrown together produce one position; the order of six throws fixes their locations from bottom to top.
  • Assigning two to A and three to B is a declared convention for this exercise, fixed before recording the results.
  • Jiji’s primary line pattern cannot by itself recover Xian: the moving values at positions one and four are also required.
Six throws retain six complete states

Read first

What is Liu Yao? From a single question to an assembled hexagram chart ↗

Name the two faces before the first throw

Modern coins do not always have an obvious “written face” and an unmarked reverse. Both sides may carry letters or pictures. Before recording a three-coin exercise, label the faces A and B and keep that mapping visible. Changing the labels after seeing a result changes the input record.

For this article, A counts as 2 and B as 3. B corresponds to the reverse-side count used in the cited account. This is an explicit numerical convention for checking the exercise; it is not claimed as the wording of the historical passage. The Bushi Quanshu material collected in volume 544 of the Gujin Tushu Jicheng describes the four outcomes through counts of the written and reverse faces, using the traditional single, split, doubled and crossed categories.

Face AValue: 2Face BValue: 3Fix both face values before the first throw.

Face A

  • Value: 2

Face B

  • Value: 3

Fix both face values before the first throw.

The A/B face mapping is fixed before the first throw and retained through all six.

One throw produces one line with two properties

Throwing three coins together gives one line, not three. With the stated face values, their sum must be 6, 7, 8 or 9. Each sum preserves both the original yin–yang state and whether that line changes.

Three faces Sum Original state Changed state
AAA 6 Old yin, moving Yang
One B and two A 7 Young yang, still Yang retained
Two B and one A 8 Young yin, still Yin retained
BBB 9 Old yang, moving Yin

The order of the three coins within one throw does not change its sum. The order of the six throws does matter. Also, 7 and 9 both begin as solid lines, but only 9 changes here; 6 and 8 both begin as broken lines, but only 6 changes. Saving only six yin–yang marks loses information needed to recover the changed figure.

The cited historical description assigns one reverse face to the single category, two to split, three to doubled and no reverse faces to crossed. Its instruction to change doubled into split and crossed into single agrees with reversing old yang and old yin. The numerical table is a way to make that correspondence easy to audit.

Moving6: yin → yang9: yang → yinStill7: yang → yang8: yin → yin

Moving

  • 6: yin → yang
  • 9: yang → yin

Still

  • 7: yang → yang
  • 8: yin → yin
Seven and nine both start yang, but only nine changes; six and eight start yin, but only six changes.

Build upward through six results

The first throw is line 1 at the bottom. Throws 2 and 3 complete the lower trigram; throws 4–6 build the upper trigram. The cited Gujin Tushu Jicheng passage explicitly describes building from below, with three throws for the inner figure followed by three for the outer. The Liuyao workflow places this recording step before the later line assignments.

Use a supplied teaching sequence: BBB, BBA, BAA, AAA, BAA, BBA. Under the declared mapping the six sums are 9, 8, 7, 6, 7, 8. This is an invented exercise sequence, not a measured personal casting.

Throw and upward line index Sum Primary line Result after change
1 9 Yang, moving Yin
2 8 Yin, still Yin
3 7 Yang, still Yang
4 6 Yin, moving Yang
5 7 Yang, still Yang
6 8 Yin, still Yin

Read upward: the lower three lines are yang–yin–yang, Li; the upper three are yin–yang–yin, Kan. This is Jiji. Reversing only positions 1 and 4 gives Gen below Dui, the figure Xian. The Zhouyi identifies Jiji as Li below Kan and Xian as Gen below Dui, providing independent name checks for the two structures.

Six results 9, 8, 7, 6, 7, 8 build Jiji from the bottom upward; only lines 1 and 4 change, producing Gen below Dui, XianOpen the full-size diagram

Original BaZiFlow recording exercise. A counts as 2 and B as 3; the six results are supplied teaching data, not a personal prediction.

Do not add all six sums and take a remainder to select a new moving position. In this procedure each 6 or 9 already identifies its own moving line. Replacing them with one total-based position would discard the multiple-line information actually recorded.

Jiji123456KanLiXian123456DuiGen

Jiji

123456KanLi

Xian

123456DuiGen

Reverse Jiji positions one and four together to obtain Xian, keeping the other four lines unchanged.

Reverse Jiji positions one and four together to obtain Xian, keeping the other four lines unchanged.

Preserve the sequence when changing the layout

A written log usually puts throw 1 on its first row. A hexagram puts line 1 at the bottom. Turning the log into a diagram therefore involves a layout change, not a reversal of the line indices. Keep the indices attached to their results when copying between paper and software.

A reproducible log retains the face mapping, all six throws and their sums. Record the time and question scope separately for later charting and interpretation; those fields do not overwrite what the coins showed. If another tool uses different face names, compare its legend before importing the record. “Heads” or “front” alone is not a reliable cross-tool specification.

An edge-standing coin, an unreadable landing or a missing coin leaves that throw undetermined. State a handling convention before the exercise and record why a throw was repeated or a new sequence started. This is a modern data-recording recommendation, not a claim that the quoted source defines every such situation. An unclear face should not be completed with whichever value produces a preferred result.

Throw 1 = 9Keep index 1Bottom line
Throw 1 = 9
Keep index 1
Bottom line
A layout change moves each index with its value; it does not reverse the chronological record.

The casting record is not the completed interpretation

A sequence without any 6 or 9 has no moving line under this convention; one containing several retains them all. Do not change a 9 into a 7 or erase an additional moving mark merely to obtain a more appealing changed figure. For the supplied example, a direct check is simple: exactly positions 1 and 4 differ, and the other four positions remain identical.

At this stage you have the primary figure, moving positions and changed figure. Najia branches, the six relations, six spirits and self–other markers are not directly supplied by the three-coin sum. Continue to Najia, six relations and six spirits while keeping the six original results intact.

Six resultsPrimary+ changedNajiaassignments
Six results
Primary + changed
Najia assignments
Build primary and changed figures before adding Najia information; sums do not directly supply self and other.

Questions readers ask next

Why retain both seven and nine when each starts as yang?

A solid line describes an initial state without specifying its next operation. These two values carry different movement information. A format storing only yin or yang therefore needs a separate movement field to reproduce the transformation.

Does the left-to-right order of the coins affect a throw?

Under the declared sum rule, BAA, ABA and AAB all give seven. Spatial ordering within that one throw is irrelevant, but the chronological order of the six throws fixes six distinct line positions and must stay attached to the results.

Should a record with two moving lines be cast again?

The supplied exercise already contains two definite changes, so both belong in its reconstruction. Erasing one to imitate a different input procedure creates a different record and cannot reproduce the original six results.

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Sources & references

  1. 古今圖書集成・藝術典544卷:卜筮全書一・以錢代蓍畫法 ↗
  2. 周易・既濟:離下坎上 ↗
  3. 周易・咸:艮下兌上 ↗
  4. 周易・革:離下兌上 ↗

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