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Bi (賁): fire beneath the mountain, adornment to white

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Bi: adornment ends in white
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Bi (賁) is the 22nd hexagram, Tai with two lines exchanged. The Commentary on the Judgments separates the pattern of heaven from that of humankind; the statements run from toes to plain white, the only color named.

The short version8 min read

Bi (賁) literally means adornment, a different character from Bi (比) though they sound alike. The Commentary splits adornment into the pattern of heaven and the pattern of humankind, and the statements run from the toes and the beard to the hills and gardens, ending on "plain white".

  • Bi stacks Gen (mountain) on Li (fire) and can be seen as Tai with its second and top lines exchanged; the Commentary on the Judgments' "the yielding comes and adorns the firm" and "the firm is parted off and goes up" point at those two lines.
  • The Commentary says "firm and yielding cross: the pattern of heaven; brightness that stops: the pattern of humankind". The Great Image (大象) begins "beneath the mountain, fire" and ends on not daring to decide cases.
  • The six statements adorn six places: toes, beard, a manner, a person, hills and gardens, and white. Line one "gives up the carriage", the top line is "plain white", and white is the only color word in the hexagram.
18 seconds: see the figure with the mountain above and the fire below, follow adornment as it ends on white, and take away three questions for reading Bi.

Read first

The Sixty-Four Hexagrams: How Upper and Lower Trigrams Form One Figure ↗

Judgment and Line Statements: Whole Hexagram or Single Line? ↗

Fire beneath the mountain: Tai with two lines exchanged

Bi (賁) is the 22nd hexagram: Li (fire) below, Gen (mountain) above, so the mountain stands over the fire. The word means adornment and is not the Bi (比) of the eighth hexagram, which has a different character. The Shuo Gua says "Gen is stopping" and "Li is clinging": the fire clings to the foot of the mountain, and the mountain holds it from going higher. Yang occupies places one, three and six; yin takes places two, four and five.

Bi beside Tai: on the left Bi, with yang lines at the first, third and top places and yin lines at the second, fourth and fifth, Li (fire) below and Gen (mountain) above; on the right Tai, three yang lines below and three yin lines above. Exchange the second and top lines of Tai and Bi results. Lines are counted from the bottom.Open the full-size diagram

Bi beside Tai: exchange the second and top lines of Tai and you get Bi.

Upper trigram: Gen (mountain)StoppingLower trigram: Li (fire)Clinging, bright
Enlarge diagram · scroll sideways to read
Upper trigram: Gen (mountain)StoppingLower trigram: Li (fire)Clinging, bright
Bi is two layers: Gen (mountain) above, Li (fire) below, the fire clinging to the mountain's foot.

Three terms before reading Bi

Bi
Adornment, decoration. The Xu Gua explains it with one word: "adorning".
Pattern
The word wen: a design, a texture, and by extension refinement or civilization. The "pattern of heaven" and "pattern of humankind" in the Commentary use this same word.
Li and Gen
Li is clinging and brightness, Gen is stopping. The Commentary joins them in one phrase: "brightness that stops".

The figure above sets Bi beside Tai. Tai has three yang lines below and three yin lines above; exchange the second and top lines and the result is Bi. The Commentary on the Judgments has two sentences that match this.

The judgment and the Commentary: the pattern of heaven, the pattern of humankind

The judgment is brief:

Success. A little gain in going on.

Judgment on Bi (translation)

A little gain means just a little. The Commentary first gives the reasons, and then splits the word "pattern" into two layers:

Bi: success. The yielding comes and adorns the firm, therefore success. The firm is parted off and goes up to adorn the yielding, therefore a little gain in going on. Firm and yielding cross: this is the pattern of heaven. Brightness that stops: this is the pattern of humankind. Observe the pattern of heaven to read the changes of the seasons; observe the pattern of humankind to transform and complete the world.

Commentary on the Judgments, Bi (translation)

Some editions have the four words "firm and yielding crossing" before "the pattern of heaven", and the quotation above follows that reading.

"The yielding comes and adorns the firm": a yin line arrives among the yang lines and gives the firm a pattern, hence success. "The firm is parted off and goes up to adorn the yielding": a yang line leaves, goes up to the top and gives the yielding a pattern, so the gain is only a little. A common reading puts these two sentences onto the figure: the top yin line of Tai comes to the second place and the second yang line goes up to the top, and that is Bi.

Then the Commentary changes subject. Yang and yin crossing is the "pattern of heaven", the markings of the sky; the brightness of Li together with the stopping of Gen is the "pattern of humankind", the markings of human life. "Observe the pattern of heaven" is for reading the changes of the seasons, and "observe the pattern of humankind" is for transforming the world. The verb "observe" is the same character as in Guan.

The Commentary reads the figureYielding comesYin to place twoAdorns firmPattern for the firmSuccessIt passesFirm goes upYang to the topAdornsyieldingPattern for the softLittle gainOnly a littleTwo kinds of patternHeavenFirm, yielding crossReadseasonsObserve heavenHumankindBright, stoppingTransformObserve people
Enlarge diagram · scroll sideways to read
The Commentary reads the figureYielding comesYin to place twoAdorns firmPattern for the firmSuccessIt passesFirm goes upYang to the topAdornsyieldingPattern for the softLittle gainOnly a littleTwo kinds of patternHeavenFirm, yielding crossReadseasonsObserve heavenHumankindBright, stoppingTransformObserve people
Three steps of the Commentary: the yielding comes and the firm goes up; then firm and yielding crossing is called the pattern of heaven, and brightness that stops the pattern of humankind.

The Great Image: fire beneath the mountain, dare not decide cases

The Great Image ends on two matters of government:

Beneath the mountain there is fire: Bi. The noble person accordingly makes the many affairs of government clear, and does not dare to decide criminal cases.

Image on Bi (translation)

"The many affairs" are the everyday tasks of government, and "to decide cases" is to judge criminal matters. A fire beneath a mountain lights only a limited area; a common reading is that such a light is enough to make routine affairs clear but not enough for deciding cases. So half of the line is "make clear" and half is "dare not".

Shihe: fire aboveLi over Zhen, thunder and lightningMake penalties clear, order lawsBi: fire belowGen over Li, fire beneath the mountainClear affairs, no deciding of cases
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Shihe: fire aboveLi over Zhen, thunder and lightningMake penalties clear, order lawsBi: fire belowGen over Li, fire beneath the mountainClear affairs, no deciding of cases
The two Images: in Shihe the fire is above and the kings make penalties clear and order the laws; in Bi the fire is beneath the mountain and the noble person makes affairs clear and dares not decide cases.

The two hexagrams are each other's reversal: turned over, the fire goes from above to below, and the words of the Image turn with it. Read this way it is no surprise that one subject yields opposite sayings: each follows its own image.

The six statements: where the adornment sits, and where it ends

Each of the six statements contains the word Bi, and the place that is adorned changes from line to line.

LineStatementSmall ImageLine 1Adorns his toes, leaves the carriageRight not to rideLine 2Adorns his beardRises with what is aboveLine 3Adorned, glossy-lookingIn the end none overridesLine 4Adorned, plain white; white horseIn place, yet doubtfulLine 5Hills and gardens, thin silkThere is joyLine 6Plain white adornment: no blameAbove, he attains his aim
Enlarge diagram · scroll sideways to read
LineStatementSmall ImageLine 1Adorns his toes, leaves the carriageRight not to rideLine 2Adorns his beardRises with what is aboveLine 3Adorned, glossy-lookingIn the end none overridesLine 4Adorned, plain white; white horseIn place, yet doubtfulLine 5Hills and gardens, thin silkThere is joyLine 6Plain white adornment: no blameAbove, he attains his aim
The six statements of Bi with their Small Image comments: toes, beard, a glossy look, plain white, hills and gardens, white adornment.

Line one adorns the toes, but its second half is "he gives up the carriage and goes on foot": the carriage is set aside and he walks. The Small Image says "it is right not to ride". Line two, "adorning his beard", adorns what moves along with the chin, so the Small Image says "it rises together with what is above". Line three, "adorned, glossy-looking": the second word is moist, shiny. The statement goes on "lasting steadfastness, good fortune", and the Small Image says "in the end no one overrides him".

Line four reads most like a scene: "Adorned, plain white; a white horse comes winging; not a raider, but a suitor." The word for plain white is simply white; the last word of the horse phrase is traditionally taken as swift as flight; and the one who comes is "not a raider, but a suitor". The Small Image divides in two: "in its proper place, yet doubtful", a yin line in the fourth place, and "in the end there is no fault". Line five, "adorning the hills and gardens", is plain ground; "a bundle of silk, small and scant", where the last word is generally read as slight; "regret, but good fortune in the end", and the Small Image says "there is joy". The top line is just "plain white adornment, no blame", and its Small Image says "above, he attains his aim".

Neighbors of Bi: Shihe, Kun, Xie, and "adorning" in the Xu Gua

Turn Bi upside down and you have Shihe (噬嗑), so the pair are each other's reversed hexagram. Flip all six lines and Kun (困) results; the nuclear hexagram of Bi is Xie (解), and its derivation is laid out in the structure of a hexagram.

The Xu Gua attaches Bi to Shihe in this way:

Things must not just be joined carelessly; so Bi follows. Bi means adorning.

Xu Gua (translation)

Joining alone is not enough; it should not be mere casual joining, so adornment is needed. After that, the Xu Gua says that once adornment is pushed to its limit the road runs out, and what follows is Bo (剝).

ShiheJoiningBiAdorningBoAdornment spent
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ShiheJoiningBiAdorningBoAdornment spent
Three hexagrams in the Xu Gua: Shihe is joining, Bi is adorning, and when adornment is spent comes Bo.

Questions readers ask next

How is the name pronounced, and how does it relate to Bi (比)?

In this hexagram the character reads bi and means adornment; the Xu Gua glosses it with a single word, "adorning". The other hexagram called Bi uses a different character with a different meaning. This site tells them apart by the original character and by number.

Does "plain white adornment" mean white decoration?

Literally it is a white adornment. The top line gives only those words plus "no blame", and the Small Image (小象) says "above, he attains his aim". It is the only line that names a color apart from line four's white, so it is best read against the whole hexagram.

Do "dares not decide cases" and the Shihe Image contradict each other?

The two Images do say opposite things, but each rests on its own image: in Shihe thunder and lightning, with fire above, and in Bi fire beneath a mountain. Tradition usually reads each by its image, so they do not collide.

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Sources & references

  1. 周易·賁(Wikisource 中文版:卦辞、爻辞、彖、象) ↗
  2. 说卦传(Wikisource 中文版):艮、止也;离、丽也 ↗
  3. 序卦传(Wikisource 中文版):贲者饰也 ↗

Continue reading

Shihe: something in the mouth, from "shackle over the toes" to "cangue over the ears" ↗

Bo: a mountain on the earth, from "stripping the bed legs" to "a great fruit uneaten" ↗

The Sixty-Four Hexagrams: How Upper and Lower Trigrams Form One Figure ↗

Judgment and Line Statements: Whole Hexagram or Single Line? ↗